So you just ran a multivariate test on your ad creative. You’ve identified the winning ad elements. You’re creating a plan to apply all this new creative intelligence across your brand’s touchpoints. And you’re about to ban the losing elements from being associated with your brand ever again. *dusts off hands*
But I’m here to tell you that it’s actually incredibly smart to take a second look at your losers. Because, while it’s easy to glean actionable insights and learnings from your top-performing ads, the assets and ads that didn’t fare so well have a lot to tell you, too, if you just dig a little deeper.
Here are four simple tips for finding insights among the lowest-performing ads in your test.
Take a look at your top few ads and your bottom few ads. Can you categorize the differences between them? Categories can be as broad as “humans present” and as granular as “women wearing a blue shirt and holding a phone” for images, or “UGC generated quotes” and “Spring campaign TikTok testimonials” for copy.
(Pro tip: the more you group like assets into collections before you run your multivariate test, the easier it is to determine what separates your winning ads from your losing ads.)
Below is an example from our customer, Credit Report Canada. Here we can see that the majority of our bottom four ads feature people using technology, while the top four ads feature people looking directly at the camera. We can also see that our bottom four ads mostly feature families. While three of our top four ads feature lone women.
This would tell us that we should explore the “lone women” category a bit more, as well as “people looking directly into camera.”
On the flip side, look to see if your losing ads contain any winning elements. We can see that two of our bottom four ads contain the orange and green graphic, while the other two contain the dark image overlay and centered headline, all of which are also featured in our top four ads. This would lead us to understand that the ad’s image is the key creative element driving performance and increasing — or decreasing — conversion.
Uncovering what’s similar across your low-performing assets can help you understand what to test next.
Here are a few examples:
It is important to note that your losing ad from a CPA perspective could be a middle-of-the-road performer from an engagement perspective. Is it really a losing ad then? Nope!
Here’s another example from Credit Report Canada. The highlighted ad was a low performer for CPA and lead generation, but landed in the top four ads driving CTR.
The lesson here? Be sure to test assets and ads against different goals and take a look at the full spectrum of results before deciding which ads to scale.
The best evergreen campaigns contain ads that drive conversions and ads that drive engagement. Market-leading brands test ads to find top performers that work together to drive both KPIs.
Just because a certain image, headline, or color was a loser today doesn’t mean it will be in the future. There are a multitude of variables that can impact ad and creative element performance, including audience, trends, and seasonality.
Maybe your black and white background didn’t perform very well in June, but will in January. Perhaps new customers are more likely to click on ads promoting discounts, while returning customers prefer ads promoting a new product line.
The moral here is: don’t be afraid to bring a low performer back for another, slightly different test. It could become a winner after all.
Ultimately, insights from losing ads are useful, even if they don’t all make it into the final campaign. They can point you in directions that were never considered or provide counter arguments to your original hypothesis. And in some cases, they can even be used to inform how you deploy similar ad elements and assets across touchpoints throughout the rest of your brand’s journey.
So the next time you’re looking at low-performing ads and thinking, "How can these even be worth digging into?" remember: there just might be some incredible learnings hiding in these losers — if you look at them in the right light.